![]() ![]() Here’s the YouTube link if you want to watch it there. There are a few triadic arpeggios in this work which can serve as an excellent technique preparation for arpeggios, shifts, and jumps across the fretboard. More musical ideas will be covered in the video lesson. When you reach the vivace section, aim for a steady and fast dance feel of two beats per bar. Add a little rubato, a push and pull to the rhythm, for expressive effect. You can play this with a relatively slow tempo but fast enough to keep the phrase moving forward. The introduction is marked as Maestoso which is an indication to play in stately, dignified, or majestic fashion. ![]() However, once you approach faster tempos for the Vivace (fast) section you may find this piece a good challenge. I like 9 because it’s fun to play and 19 for its sheer beauty, in spite of its difficulty. RECITAL GROUP: Three selections by one or more. Both of these studies, along with many other Sor studies and other wonderful pieces from the classical guitar repertoire, are included in our Graded Repertoire for Classical Guitar book. It’s also not a particularly difficult piece when played at a slow tempo. Ungraded repertoire should be equal in difficulty to graded repertoire performed in the same class(es). ![]() Our mind gets fatigued, we loose focus, and we make different mistakes. But our fingers get tired we make mistakes. Or trying to get as many perfect repetitions in as possible. For the most part, this song features 2 different sections which are relatively similar to each other. Often times the solution to a difficult piece of repertoire or passage seems to be hammering on it again and again. if you can subdivide, that piece isnt so difficult haha. There's a sample fragment of the score available here. This piece is fairly open and features a pretty consistent pattern throughout the entirety of the song. The most difficult classical guitar piece is Brian Ferneyhough's Kurze Schatten II. There are no new techniques to learn for this Nocturne (night music). Carulli’s Waltz In E Minor is another excellent choice for beginners learning the classical guitar style. Contact the Music Department with questions about the appropriateness of your audition pieces. These pieces are intended to serve as recommendations, not requirements. Jump to a section: Intro (3:33), Arpeggios (5:40), Bars 11 & 19-21 (9:57), Walk-Through (13:58). Guitar: Candidates should be prepared to perform three compositions for classical guitar in contrasting styles, preferably from memory.The playing will be assessed on technique, tone and musicality rather than the degree of difficulty of the repertoire chosen. NOTE: The following repertoire list is intended to help guide you and your teachers in choosing appropriate pieces for auditions. This performance and lesson comes from my book Classical Guitar Repertoire Lessons Grade 6– Five pieces at the grade six level with dedicated lessons preparing you for each piece. Nocturne Op.4, No.3 Maestoso-Vivace by Johann Kaspar Mertz (1806-1856) – PDF Sheet Music and Free Video Lesson for Classical Guitar. ![]()
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